Festivals

A mixed-media artwork incorporating two male figues standing in water up their waists, embracing and kissing. The figures are rendered in pieces of a map. Black-and-white photos are partially visible the margins.

Wojnarowicz: F**k You F*ggot F**ker

Mar 26, 2021 | By Joshua Ray
A mystery beyond belief is unraveled in William J. Saunders' 'The Penny Black'.

The Penny Black

Nov 20, 2020 | By Kayla McCulloch
Naama Preis (left, front) is a mother who does the unthinkable to ensure her family's musical legacy in Itay Tal's 'God of the Piano'.

God of the Piano

Nov 17, 2020 | By Andrew Wyatt
Astrid Bergès-Frisbey (left) and Anouk Grinberg portray the younger and older versions of a woman struggling with decades of unresolved grief in Charlotte Dauphin's 'The Other'.

The Other

Nov 13, 2020 | By Kayla McCulloch
Tsai Chin is a eldery widow who becomes entangled with local gangsters in Sasie Sealy's 'Lucky Grandma'.

Lucky Grandma

Nov 11, 2020 | By Andrew Wyatt
Ke-Xi Wu is an actress whose hold on her career, image, and identity starts to slip away in Midi Z's 'Nina Wu'.

Nina Wu

Nov 9, 2020 | By Cait Lore
Lena Olin (right) is the wife of a fading art world icon in Tom Dolby's 'The Artist's Wife'.

The Artist's Wife

Nov 8, 2020 | By Kayla McCulloch
A still from 'God Save the Wings'.

God Save the Wings

Nov 7, 2020 | By Andrew Wyatt
Martine Chevallier (left) and Barbara Sukowa have their closeted but content relationship turned upside-down in Filippo Meneghetti's 'Two of Us'.

Two of Us

Nov 6, 2020 | By Joshua Ray
Jessica Barden is a twentysomething in arrested development in Kelly Oxford's 'Pink Skies Ahead'.

Pink Skies Ahead

Oct 26, 2020 | By Kayla McCulloch
José (Enrique Salanic) and Luis (Manolog Herrera) discover an unexpected romance with one another in Li Cheng's 'José'.

José

May 15, 2020 | By Joshua Ray
Educator Pedro Santana (center) is profiled in Lillian LaSalle's 'My Name Is Pedro'.

My Name Is Pedro

Nov 7, 2019 | By Andrew Wyatt
Highlights from True/False 2019

Highlights from True/False 2019

Mar 11, 2019 | By Cait Lore